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The main characters are what make this hilarious series of Mapp & Lucia so sublime; Geraldine McEwan as the conniving, social-climbing Lucia; Nigel Hawthorne as her partner in crime and devoted companion; and Prunella Scales as the mawkish and ever-thwarted Miss Mapp. If ever there was an adaptation from novel to TV that remained as close to the author's original intention as possible, Mapp & Lucia is it! Timeless comedy, beautiful locations, stunning sets and costumes, and plenty of side-splitting one-liners - especially those delivered with wasp-like precision by Lucia, the (self-appointed) social queen of Tilling. Too divine!

"Gaming? Nicotine? Fisticuffs? We're moving in a descending spiral of iniquity!" So says the head of St. Swithen's upon inspecting the master's common at Nutbourne. The faculty and students of St. Swithen's have been ordered to share facilities at Nutbourne to avoid German bombs during World War II. Then there's the masters' library. "The Diary of Samuel Pepys? Abridged...well, that's something to be thankful for. What's up here? The Memoirs of Casanova? Wasn't that the book we caught Jessica James reading in the closet? Decameron Nights! Well, really! What ever else this place may or may not be, it's no place to bring carefully nurtured girls!"

Yes, a terrible mistake has been made by the Ministry of Education. Nutbourne is a school for boys. St. Swithen's is a school for girls. And what makes this one of the best post-WWII British comedies, Nutbourne's head master is Wetherby Pond...played by Alastair Sim, while St. Swithen's head mistress is Muriel Whitchurch...played by Margaret Rutherford.

"St. Swithen's?" says Pond. "You don't mean to say that yours is a school for boys and girls?" he asks one of the early girls. "Only girls" she says cheerfully. "Does this mean, sir," asks one of Nutbourne's teachers, "that we are to expect 100 young girls?" "It means that not only have the ministry made a mistake in sending a school here at all, but that it is guilty of an appalling sexual aberration!"

Margaret Rutherford's Miss Whitchurch, as positive and immovable as a battleship, intends to make the best of it, by briskly taking over Nutbourne if possible. Alastair Sim's Pond is exasperated up to his big bald head and is determined to salvage his school. In the meantime, there are 100 young girls and 170 young boys to be fed and places found for them to sleep (along with all their teachers). The cooks and caretakers, totally put upon, walk out. Miss Whitchurch and her girls, however, are up to the cooking tasks. "Come now, Angela," she says to one girl who is trying to stir something in a big pot, "haven't you made porridge before?" "Yes, but no one ever had to eat it." "That's a defeatist attitude, my dear. Stir it well and don't shilly shally."

Things are hardly going well when Pond discovers four governors from a school he hopes to lead are arriving at any moment to see for themselves how well led Nutbourne is. And Miss Whitchurch learns that four wealthy and influential parents have just arrived to see how their daughters are doing in the new -- boy free, they were told -- facilities. The only solution? Miss Whitchurch and Pond, their teachers and their students, concoct a split-second shifting of classes to give the allusion that Nutbourne has no girls and that St. Swithen's has no boys. After the parents inspect a dorm and leave for a class, the girls in the beds duck under and the boys who'd been hidden under leap up into the beds, just as the governors walk in. The boys are observed at rugby and, as soon as the governors turn their backs, the goal posts are taken down, nets for lacrosse are put up, and just then the parents walk over to observe the girls. One parent spots her daughter in a science class, then moments later sees her in a choir practice, then moments later.... "There's Angela again," she says to Miss Whitchurch. "Why so it is," she replies, hustling the parents out to avoid the governors who are approaching just around the corner. "The child's quite ubiquitous."

When we leave Nutbourne, everything has been discovered. The students are milling about. The teachers are dazed (except for two who are kissing.) The Education Ministry has just sent several more busloads of students. The parents are speechless but the governors are not. "We're waiting for an explanation," one says sharply. Pond holds his head and shudders. "Can't you see I'm trying to think of one."

The film moves from one complicated and ridiculous situation after another, braced by a very funny script and two hugely comedic performances by Rutherford and Sim. Sim's droll exasperation and Rutherford's implacable determination are so well matched that's it's a shame this is the only movie they ever made together. Joyce Grenfell as Gossage, St. Swithen's tall, awkward, loping sports teacher, gives them some competition. If you keep your eyes open, you'll also find some amusing references director Frank Launder works in, including a gong at Nutbourne that looks just like a midget version of J. Arthur Rank's, a faint echo of the zither theme from The Third Man and a shot stolen from David Lean's Oliver Twist, except this time the little boy walks up holding his porridge bowl and says, "Please, sir. I don't want anymore."

Frank Launder and his partner, Sidney Gilliat, were responsible for some of the best films produced in Britain during the Thirties, Forties and Fifties. They wrote, produced and directed, sometimes doing one, sometimes the other. In one way or another they were responsible for such first-rate films as Green for Danger (with a masterly droll performance by Sim), I See a Dark Stranger, The Lady Vanishes, Night Train to Munich, Wee Geordie, The Belles of St. Trinian's, The Rake's Progress and many others. With The Happiest Days of Your Life, Launder wrote and directed while both produced. It's one of their best.

This delightful video will entertain children and adults alike! The straight-forward, rather thick-headed Wallace and his cynical, world-wise dog Gromit are part-time window washers who uncover a sheep rustling scam in this hilarious Nick Park claymation feature! Wallace falls in love! Gromit is arrested and jailed! Shaun (the every hungry sheep) might just save the day! If you've seen "Chicken Run" and thought it was good, take a look at "A Close Shave", and all the Wallace and Gromit adventures for stories you'll watch over and over again!

I was pretty entertained by this sequel. What I found most impressive was the excellent voice-over work. I have gone back and checked what the deal was and found it very interesting that both the Winnie the Pooh crews (new and old) were very much involved in the Jungle Books.

Kaa the snake was my main interest, being done by the same voice over guy who now does Winnie the Pooh (Jim Cummings). Just as the original Kaa the snake, Sterling Holloway, was also the same guy who did the original Winnie voice .

The other was the Black Panther, Bageera, originally done by Mr. French of Family Affair, the great Sebastian Cabot... now being done so well by Bob Joles who also narrates the Winnie series these days, just as Mr Cabot did in his day. Haley Joel Osment did a fantastic job of being Mowgli as well. John Goodman... good I guess... but the original Phil Harris just had that fluid jazz scat thing DOWN. So Baloo just isnt as cool as he used to be. No offense John, I seriously can't think of anyone who could have done better. But sometimes greatness is just great, and can't be duplicated. Nice try though.

Sure the story wasn't really all that rivoting, the animation wasn't as full or rich in color. And no King Louis, but then again... the elephant marching army and the Beatles Buzzards were so great and are back again.

Jungle Book was a great classic, certainly my favorite of all Disney animations... but Jungle Book 2 is certainly worth seeing for the next bunch of little guys who need that Disney fix.

I have to agree with another critic in here... they should have spent a little more time and added a few more minutes of something. 70 minutes... and 15 of it in shadow puppet credits... stop short changing the Disney legacy with trying to reissue a cheaper version of the actual foundation that Disney was built on. Walt is shedding a few tears where ever he is.(actually I guess he sheds ice cubes, isn't he frozen somewhere?) Eisner, get with the program already.

Ok, yes I would have still loved there to be the normal amount of episodes in this series, but I still enjoyed every single one of these. Definitely one of my favourite shows, and seeing Charlotte and Harry falling in love is lovely.

Director Fraser Heston captures the danger and beauty of Alaska in this adventurous family film about two kids who embark on a very personal rescue mission. Former 747 pilot Jake Barnes (Dirk Benedict) moved away from a fast-paced Chicago lifestyle with his two children, Jessie and Sean, after the death of his wife. While daughter Jessie thoroughly enjoys and excels in her new surroundings, son Sean's moodiness and homesickness escalates. One stormy night Jake's small plane crashes during an emergency flight, leaving him stuck on a treacherous cliff with a broken leg and no radio. The local search and rescue team soon gives up, prompting Sean and Jessie to kayak, hike, canoe, and rappel their way over many lush and snowy miles to save their dad.

Younger kids will enjoy the antics of Cubby, the baby polar bear who befriends the youthful trekkers and eventually leads them to their father. They'll also enjoy the good-natured sibling rivalry between the tough but tender-hearted Jessie (Thora Birch of Now and Then) and Sean (Vincent Kartheiser of The Indian in the Cupboard) and a chance to hiss at the two evil poachers (including the director's father, Charlton Heston). Parents, on the other hand, may feel compelled to explain etiquette around wild animals, the dangers of hypothermia, and how to pack for a long hike. But the scenic Cook's tour of Alaska and British Columbia makes some of these otherwise corny elements tolerable to grown-ups. --Liane Thomas